Warp & Weft is an ongoing series of artist collaborations that begins with a desire to rethink the rituals of documentary photography by raising questions about authorship and the photographer's gaze.
Using the method of photovoice as a starting point, initially developed by public health researchers Caroline C. Wang and Mary Ann Burris, the method situates the artist as both a subject and collaborator, placing subject intervention at the core of its inquiry.
The artist(s) are invited to intervene at any stage of the process, from conceptualization to installation, blurring the boundaries of authorship in the work. The gaze of the photographer is returned by the gaze of the subject, and conversely so.
artist/collaborators
untitled #1 w/ Adil Arsad
untitled #2 w/ Johann Yamin.
untitled #3 w/ Victoria Hertel.
supported by
Using the method of photovoice as a starting point, initially developed by public health researchers Caroline C. Wang and Mary Ann Burris, the method situates the artist as both a subject and collaborator, placing subject intervention at the core of its inquiry.
The artist(s) are invited to intervene at any stage of the process, from conceptualization to installation, blurring the boundaries of authorship in the work. The gaze of the photographer is returned by the gaze of the subject, and conversely so.
artist/collaborators
untitled #1 w/ Adil Arsad
untitled #2 w/ Johann Yamin.
untitled #3 w/ Victoria Hertel.
supported by
